The New York Times this morning details some of the charitable bequests found in Mrs. Astor’s will and its various codicils.
A close review of the will and three amendments to it reveals who is designated to get what from Mrs. Astor’s personal fortune, valued at about $130 million, and a trust estimated to be worth more than $60 million that was left for her by her late husband, Vincent Astor.
Her son, Anthony, gets the bulk of her vast and storied fortune, from artwork by the Italian painter Giovanni Battista Tiepolo to the cash from the eventual sale of her Park Avenue duplex and her 65-acre Westchester estate.
Her daughter-in-law Charlene receives two fur coats — a mink and a chinchilla — and a necklace adorned with 367 round diamonds, while her twin grandsons are to be given $1 million each.
Then there are the New York City public school teachers — who have yet to be selected — who will benefit from a $2 million endowment allowing them to make trips abroad. Even an azalea garden on the Maine coast is down for $100,000.
Its unclear at this point which codicils of the two or three were forged and which, if any, were signed as a result of undue influence.
From Wikipedia:
Brooke Astor (born March 30, 1902) is an American socialite and philanthropist who was the chairwoman of the Vincent Astor Foundation, which had been established by her third husband. She also is a novelist and has written two volumes of memoirs.
[...]
On July 26, 2006, the New York Daily News ran a front-page cover story on the family feud between Astor's son, Anthony Dryden Marshall, and her grandson Philip Cryan Marshall, regarding to the welfare of the centenarian Astor, now 105 years old. The story details how Astor's grandson, a historic preservationist and associate professor at Roger Williams University, has filed a lawsuit seeking the removal of his father as the socialite's guardian and the appointment of Annette de la Renta, the wife of designer Oscar de la Renta, instead.
According to accounts published in The New York Times and the New York Daily News, Astor was diagnosed with Alzheimer's Disease several years ago and suffers from anemia, among other ailments. The lawsuit alleges that Marshall has not provided for his elderly mother and, instead, he has allowed her to live in squalor and that he has cut back on necessary medication and doctor's visits, while enriching himself with income from her estate. Philip Marshall further charged that his father sold his grandmother's favorite Childe Hassam painting without her knowledge and with no record as to the whereabouts of the funds received from the sale. The painting, "Flags, Fifth Avenue" (1918), is now in the collection of the Dallas Museum of Art. In addition to Annette de la Renta, Henry Kissinger and David Rockefeller have provided affidavits supporting Philip Marshall's requests for a change in guardianship.
The day the story appeared, New York Supreme Court Justice John Stackhouse sealed the documents pertaining to the lawsuit and granted an order appointing Annette de la Renta guardian and JPMorgan Chase & Co. to be in charge of Astor's finances, according to news reports. Several news organizations, including Associated Press and The New York Times, have sued to have the records of the Astor case unsealed in the public interest, claiming that there is no legal basis for the sealing of the records. Both actions are pending a hearing scheduled for 8 August 2006. In the interim, Astor was moved to Lenox Hill Hospital, where an unidentified nurse called her appearance "deplorable"; according to the New York Daily News, Anthony Marshall unsuccessfully attempted to have his mother transferred to another hospital.
Astor was released from Lenox Hill Hospital on 29 July 2006 and moved to Holly Hill, her 75-acre estate in the village of Briarcliff Manor, New York.
On 1 August 2006, The New York Times reported that Anthony Marshall was accused by Alice Perdue, who was employed in his mother's business office, of diverting nearly $1 million from his ailing mother's personal checking accounts into theatrical productions. Marshall, through a spokesman, said that Astor knew of the investments and approved of them. Perdue countered that Marshall had advised her never to send to his mother any documents of a financial nature because "she didn't understand it."

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